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The international Finger-style guitar festival for the first time in Vietnam took place yesterday evening at Tuoi Tre theater, Hanoi. Attending the concert were 6 famous guitarists from 6 different countries including Huang Chia-wei, Agustin Amigo, Andy Ngew, Paddy Sun, Masa Sunmide and Jacques Stotzem. This is also a rare opportunity for Vietnamese audiences to enjoy the greatness of this solo guitar performance. The performance was divided into two separate parts, each consisting of three artists performing their own fingerstyle solos. Sunflower I'm a happy go lucky ray of fucking t shirt and sweatshirt Although the night of the performance started 10 minutes later, the audience did not appear impatient, they sat neatly and waited for each artist to come to the performance stage. Paddy Sun, an interesting phenomenon in the "guitar" world of China started the concert with his own "Sunflower" which was very familiar to young Vietnamese audiences. The sound of Paddy Sun's guitar touches the listener's lap with flexibility and the impromptu minutes knocking into the lively guitar case. Without long breaks between each performance, he performed three consecutive works in the interest of the audience. One of the artists who left the biggest impression for the audience was Masa Sumide. Choosing a powerful acoustic rock, Masa gives the audience a variety of emotions through each of his works. Sharing about the concert, the guitarist from Japan said: Our biggest barrier is language. I do not understand what you say and vice versa. However, there is the most powerful language available here that is the language of the guitar. I hope you enjoy it, these wonderful melodies.
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Artist Augustin Amigo from Spain brings a very special enjoyment space. Meanwhile, artist Andy Ngew "entertained" the audience of guitar songs with the influence of traditional folk songs from Malaysia. Huang Chia-Wei and Jacques Stotzem are the last two guitarists to perform in this special performance. If artist Huang Chia-Wei offers romantic, emotional melodies that are blue, Jacques Stotzem is the exact opposite - the violence with the improvisational moments makes the audience feel like he is "Dance" on the strings.